Emmanuelle studied drawing and preferred figurative painting initially. The light of the Brittany coast, always changing and capricious, was a source of inspiration and desires for her.
Today, Emmanuelle uses a knife to maintain a crude gesture, structure the space and give more intensity and energy to the colours. She has chosen abstraction and now, released from the subject, she has become interested in the work of abstract painters from the Parisian School. She particularly likes the colour saturation and sometimes shocking contrasts.
Meanwhile, she also admires clean and poetic work. Open to exploring techniques, Emmanuelle shows a predilection for oil painting, which she continually returns to. She develops her own pigments and tries to find new relationships of colour.
Following on from the thought of Kandinsky, Emmanuelle never strays from the spirituality of colour and art.